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Operations · rights, catalog & records · Remote from Jefferson City, MO

Somebody has to make sure the record is right.

Eight years of catalog and rights administration taught me one habit: a record isn’t reliable until it’s been checked against another source. That habit is the whole job — whether the records are copyright registrations, royalty statements, vendor accounts or customer files.

Isaiah Briggs

Systems I administer in

Everything I use →
ASCAP
BMI
DistroKid
Mechanical Licensing Collective
Songtrust
SoundExchange
TuneCore
U.S. Copyright Office
ASCAP
BMI
DistroKid
Mechanical Licensing Collective
Songtrust
SoundExchange
TuneCore
U.S. Copyright Office

In rights administration

A record isn't reliable until it's double checked against another source.

In software

A feature isn't complete until it's been tested and verified that it works.

Those are the same sentence. I wrote one of them about metadata and the other about software, years apart, before I noticed they were actually the same rule. It’s why I build systems that don’t trust themselves — a cynical system avoids blind compliance. Something may look and even sound correct (a number, a date, even a dollar amount) but in order for it to be truly accurate, one must know not just the numbers but the "why" behind those numbers. By understanding the context of the underlying system itself, an inaccurate record can be verified and corrected, before it is brought in front of stakeholders who rely on the data to make decisions. This is my approach to all my systems I use to manage, curate, and utilize data. That rule is the only thing I’d ask you to judge me on.

Numbers I can account for

Every figure below traces to a record I can produce on request.

8
years administering an independent release catalog — since 2018
4
rights bodies I file and reconcile in — Copyright Office, MLC, ASCAP, BMI
4
identifier systems cross-checked before a record is trusted — ISRC, ISWC, IPI, UPC

Selected work

What I actually know how to do

Rights & royalty administration

  • U.S. Copyright Office registration
  • PRO registration
  • Mechanical Licensing Collective portal
  • Mechanical rights tracking
  • Publishing data administration

Catalog & metadata

  • ISRC / ISWC / IPI / UPC
  • Digital supply chain
  • Cross-source validation
  • Structured recordkeeping

Distribution platforms

  • TuneCore
  • DistroKid
  • Ditto

Directing AI-assisted builds

  • Claude Code
  • System architecture
  • Requirements & constraints
  • Verification design

Production

  • Pro Tools
  • Logic Pro X
  • Mixing & mastering

Coordination & tools

  • Jira
  • Google Workspace
  • Microsoft Office
  • Cross-functional coordination

Said up front, not in the interview

I don't write code by hand, and I don't make the specific engineering calls either — Claude Code does. My work is the architecture: I scope the system, set the goals and constraints that shape the technical trade-offs, sequence the build so nothing gets built on a missing foundation, and define what 'done' actually means before anything ships.

I don’t hide this, because a reader who finds it out later reads everything else as inflated. Directing a build well is a real skill and a different one than writing the code, and I’d rather be judged on the one I actually have.